A portrait of English mathematician Alan Turing turned the primary paintings by a humanoid robotic to be offered at public sale, fetching greater than $1.0 million on Thursday.
The 2.2-metre (7.5-foot) portrait “A.I. God” by “Ai-Da”, the world’s first ultra-realistic robotic artist, went for $1,084,800, smashing pre-sale expectations of $180,000 at public sale home Sotheby’s Digital Art Sale.
“Today’s record-breaking sale price for the first artwork by a humanoid robot artist to go up for auction marks a moment in the history of modern and contemporary art and reflects the growing intersection between A.I. technology and the global art market,” mentioned the public sale home.
Ai-Da Robot, which makes use of AI to talk, mentioned: “The key value of my work is its capacity to serve as a catalyst for dialogue about emerging technologies.”
Ai-Da added {that a} “portrait of pioneer Alan Turing invites viewers to reflect on the god-like nature of AI and computing while considering the ethical and societal implications of these advancements.”
The ultra-realistic robotic, one of the superior on this planet, is designed to resemble a human girl with a face, massive eyes and a brown wig.
Ai-Da is called after Ada Lovelace, the world’s first laptop programmer and was devised by Aidan Meller, a specialist in fashionable and modern artwork.
“The greatest artists in history grappled with their period of time, and both celebrated and questioned society’s shifts,” mentioned Meller.
“Ai-Da Robot as technology, is the perfect artist today to discuss the current developments with technology and its unfolding legacy,” he added.
Ai-Da generates concepts by conversations with members of the studio and urged creating a picture of Turing throughout a dialogue about “A.I. for good”.
The robotic was then requested what model, color, content material, tone and texture to make use of, earlier than utilizing cameras in its eyes to have a look at an image of Turing and create the portray.
Meller led the staff that created Ai-Da with synthetic intelligence specialists on the universities of Oxford and Birmingham in England.
Turing, who made his identify as a World War II codebreaker, mathematician and early laptop scientist, had raised issues about the usage of AI within the Nineteen Fifties, he added.
The paintings’s “muted tones and broken facial planes” seemingly urged “the struggles Turing warned we will face when it comes to managing AI”, he mentioned.
Ai-Da’s works had been “ethereal and haunting” and “continue to question where the power of AI will take us, and the global race to harness its power”, he added.
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