Blackpink participant supplies angsty verses with a light, flexible discuss Rosie
Ros é comes down to brass adds first of Rosie, her solo unabridged launching: “Tell me that I’m special/ Tell me I look pretty,” the Blackpink participant asks as the piano chords that open up “Number One Girl” fluctuate, sustaining the strength of her demand. As quarter of K-pop’s most significant girlband and an associate of prominent brand names like Tiffany and Saint Laurent, Ros é has, no question, been presented with these superlatives, and a lot more, by ratings of individuals. But Rosie is no imperial-phase triumph lap from a hoity-toity A-lister. Instead, it’s an enticing display of Ros é’s chameleonic character and straight captivating vocals.
In the cd’s lining notes, Ros é many thanks Bruno Mars, her aluminum foil on the punchy lead solitary “APT.” that, she composes, was “guiding [her] through this chapter of [her] career.” The flexible, always-all-in Mars is a deserving lodestar for Ros é and Rosie, a cd that whirls via 21 st– century pop expressions with aplomb also as its heroine ponders on suffering and anxiousness..
Ros é executive-produced Rosie and co-wrote each of its 12 tracks, an indication of her flexibility and pop savvy. “Two Years” is a luminescent synth-pop cut that flares over wasted time, its shout-along support vocals making plain popular Ros é just means with her determined vocal. The ex lover lament “Gameboy” equilibriums on an acoustic-guitar loophole in such a way that remembers very early-‘00s pop&B, with Rosé summoning her last thread of strength as she sighs over years spent with a player who’ ll “only ever be a heartbreak.” On the gleaming “Not The Same,” Ros é’s voice reverberates like a crystal bell as she kicks an oversteping companion to the aesthetic, billing right into its top register on a boiling-point bridge–” I go on going through every one of the memories that I had with you/ And I do not miss it/The means you damaged my love,” she hisses, her voice damaging as her allegation enters into complete sight. And “Stay a Little Longer” is a torchy appeal for link that flashes like a mirror sphere.
Despite all its agony, Rosie has an agility that makes it a welcoming pay attention. She’s disarmingly sincere concerning any kind of instabilities hiding within, yet they’re packaged in enchanting tracks that, sometimes, have embellishments indicating the enjoyable Ros é had while determining her pop objective: the eye-rolled apart “Ladies and gentlemen, the ex” on the doomed-relationship anthem “Toxic Till the End,” the edgy 2-step beat that includes heart flutters to the crush tale “Drinks and Coffee.” Touches like that show a self-confidence that can lead to first-class popular song– and Rosie greater than fulfills that guarantee due to its strong songwriting and the fascinating lady at the cd’s facility.
