Writer- supervisor Cord Jefferson won Best Adapted Screenplay at the 2024 Oscars for transforming Percival Everett‘s unique “Erasure” right into the seriously well-known movie “American Fiction.” That noted the 4th time in a years that a movie based upon an unique won this honor. The others: “Women Talking” (Sarah Polley), “Jojo Rabbit” (Taika Waititi), and “Call Me By Your Name” (James Ivory). This is one of the most usual kind of adjustment to win. Indeed this honor, which goes back to the very first Oscars in 1928, has actually mosted likely to the adapters of 48 books throughout the years. (Scroll down for the most current 2025 Oscar forecasts for Best Adapted Screenplay.)
At the 2022 Oscars, Sian Heder won Best Adapted Screenplay for “CODA,” her adjustment of the French movie “La Famille Bélier.” “CODA” additionally asserted Best Picture, consequently ending up being the 5th remake to win the topOscar In 2021 dramatist Florian Zeller cooperated the Oscar win for Best Adapted Screenplay with Christopher Hampton for bring his phase hit “The Father” to the display. In his directorial launching Zeller nabbed Anthony Hopkins his 2ndBest Actor Oscar Screen variations of phase jobs had actually won Best Adapted Screenplay at the Oscars 15 times in the past. The newest of these remained in 2017 when “Moonlight” supervisor Barry Jenkins and dramatist Tarell Alvin McCraney dominated for adjusting the latter’s un-produced play “In Moonlight Black Boys Look Blue.” Prior to that you need to go completely back to 1989 when Alfred Uhry won for adjusting his hit play “Driving Miss Daisy.”
In 2021, “BlacKkKlansman” supervisor Spike Lee cooperated the win for Best Adapted Screenplay for his written job on Ron Stallworth‘s narrative of the very same name. In the 96-year background of this group, just a loads adjustments of such publications have actually dominated. Five of those non-fiction publications adjustments were victors in the last years: “The Social Network” (2011 ), “Argo” (2012 ), “12 Years a Slave” (2013) and “The Imitation Game” (2014) and “The Big Short” (2015 ).
Short tales given resource product for 7 victors, with “Brokeback Mountain” in 2005 being one of the most current. One- off resources have actually consisted of a paper column (“Mrs. Miniver”) and a brief movie (“Sling Blade”).
A tremendous 10 authors have actually won this race two times each: Robert Bolt (“Doctor Zhivago,” “A Man for All Seasons”), Christopher Hampton (“Dangerous Liaisons,” “The Father”), Ruth Prawer Jhabvala (“A Room With a View,” “Howards End”), Joseph L. Mankiewicz (“A Letter to Three Wives,” “All About Eve”), Alexander Payne (“Sideways,” “The Descendants”), Alvin Sargent (“Julia,” “Ordinary People”), George Seaton (“Miracle on 34th Street,” “The Country Girl”), Michael Wilson (“A Place in the Sun,” “The Bridge on the River Kwai”), and Francis Ford Coppola and Mario Puzo (both for “The Godfather,” “The Godfather Part II”). Billy Wilder holds the document for the majority of elections in this group with 7 quotes to his name.
Please note: To reviewed complete summaries of each movie, look into our 2025 Oscars Best Picture forecasts.
UPGRADED: October 2, 2024
LEADING CHALLENGERS
“Conclave”– Peter Straughan (Focus Features)
“Dune: Part Two”– Denis Villeneuve and Jon Spaihts (Warner Bros)
“Emilia Pérez”– Jacques Audiard (Netflix)
“Gladiator II”– David Scarpa (Paramount Pictures)
“Nickel Boys”– RaMe ll Ross and Joslyn Barnes (Amazon MGM Studios)
“Nightbitch — Marielle Heller (Searchlight)
“The Piano Lesson”– Malcolm Washington and Virgil Williams (Netflix)
“The Room Next Door”– Pedro Almod óvar (Warner Bros)
“Sing Sing — Greg Kwedar, Clint Bentley, Clarence “Divine Eye” Maclin, and John “Divine G” Whitfield (A24)
SOLID CHALLENGERS
“A Complete Unknown”– Jay Cocks and James Mangold (Searchlight)
“The Fire Inside”– Barry Jenkins (Amazon MGM Studios)
“Hitman”– Richard Linklater and Glen Powell (Netflix)
“Inside Out 2”– Kelsey Mann, Meg LeFauve, and Dave Holstein (Disney)
“Joker: Folie à Deux”– Todd Phillips and Scott Silver (Warner Bros)
“Nosferatu”– Robert Eggers (Focus Features/Universal)
“Queer”– Justin Kuritzkes (A24)
“Wicked”– Winnie Holzman (Universal)
“The Wild Robot”– Chris Sanders (Universal)
FEASIBLE CHALLENGERS
“The Bikeriders”– Jeff Nichols (Focus Features/Universal)
“Emmanuelle”– Audrey Diwan and Rebecca Zlotowski (Path é)
“Furiosa: A Mad Max Saga”– George Miller and Nico Lathouris
“Here”– Robert Zemeckis and Eric Roth (Sony)
“I’m Still Here”– Walter Salles (SPC)
“Kingdom of the Planet of the Apes”– Josh Friedman (20th Century Studios)
“Lee”– Liz Hannah, John Collee, Marion Hume, and Lem Dobbs (Sky Cinema/Studio Canal)
“One Life”– Lucinda Coxon and Nick Drake (Bleecker Street)
“Small Things Like These”– Enda Walsh (Lionsgate)
“Wildcat”– Ethan Hawke and Shelby Gaines (Oscilloscope)
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